UPCOMING EXHIBITION
RECENT EXHIBITIONS
PAST EXHIBITIONS
2024
2022
2021
Victor Acevedo
Co-curator, Techspressionism 2026: Los Angeles & Beyond
Acevedo is considered a desktop digital art pioneer. His first experiments with computer graphics began in 1983. His hybrid imagery has a metaphysical bent; expressed with geometrical abstraction, often with figuration. His video work explores the implications of synesthesia, cymatics, and the geometry of R. Buckminster Fuller’s Synergetics. His Electronic Visual Music (EVM) compositions are usually paired with experimental music. He studied at ArtCenter College of Design. He was an adjunct professor at the School of Visual Arts NYC, 1997-2008. His work is included in the Patric Prince Computer Art Collection housed at the Victoria & Albert Museum, London.
Malavika Mandal Andrew
Curator, Collaborative Art Space (India)
Malavika Mandal Andrew (b. 1971) is an artist whose practice includes mixed-media, digital collage and digital art, tapestry and other fibre art. She received her Bachelor of Fine Art in Textile Design in 1993 and her Master of Fine Art in Textile and Tapestry in 1995 from Kala Bhavana, Visva-Bharati University, Santiniketan. In 2012 she was awarded a Pollock-Krasner Foundation grant, under which she worked with Warli artists from Talasari, Maharashtra to create mixed-media paintings. In 2021, Malavika became the first Indian artist to be listed in the Techspressionist Artist Index.
Lucy Boyd-Wilson
Co-curator, Techspressionism 2026: Los Angeles & Beyond
Lucy Boyd-Wilson is a digital artist and technologist living in San Diego. She received a BA and MSc in Mathematics and Computer Science at McGill University in Montreal and studied Fine Arts at Concordia University. Following a long career as an animation and video-game programmer since the 80’s, she is now a solo artist. She explores interactive and immersive technologies such as virtual reality, dome display and Kinect tracking devices. Immersion is an important element of her art. She creates “Worlds in Motion” and places the viewer at the center, to evoke a connection with the natural world to which we belong.
Davonte Bradley
Organizer, Techspressionist Collab Series
Curator, Techspressionist Collab #1
Co-curator, Techspressionist Collab #2
“There are a few main things that inspire my art. The pain and trauma of my past, curiosity in the present, and hope for the future. There’s just as much fun in my work as there is some amount of melancholy. And I think there’s beauty in that. I’ve been creating art all of my life and have been creating digitally for about half of that time. I never attended a traditional art school and I honestly never saw myself becoming a full-time artist. It wasn’t until the pandemic struck and rocked the world that I decided that I needed to stop wasting time and pursue what had been in my heart all this time.” – Davonte Bradley
Brandon Gellis
Co-curator, Techspressionist Collab #2
As a new media artist, Gellis’ creative practice is deeply rooted in his love of working across digital and analog media to explore and create speculative narratives and aesthetics through generative and computer visualizations, virtual, augmented and mixed realities, physical computing, 3D-digital design & 4D motion graphics, and digitally-interactive installation.
Colin Goldberg
Project Organizer & Technical Lead
Curator, Techspressionism: Digital & Beyond
Co-curator, Techspressionism 2021
Colin Goldberg’s artwork forges a bridge between traditional and digital media. He is a recipient of grants from the Pollock-Krasner Foundation and the New York State Council on the Arts. The artist’s use of the term “Techspressionism” was first described in this 2014 WIRED article. In 2015, Goldberg was a resident artist at The Studios of Key West, where he was profiled by PBS. His works reside in the permanent collections of the Pollock-Krasner House and Study Center, Stony Brook University Hospital and the Islip Art Museum. Goldberg served as a guest panelist for “Expressionism in the 21st Century”, a symposium held at the Pollock-Krasner House and Study Center in East Hampton, and was a guest speaker at PechaKucha Hamptons at the Parrish Art Museum in 2019.
Helen A. Harrison
Advisor
Helen A. Harrison, director of the Pollock-Krasner House and Study Center in East Hampton from 1990 to 2024, is the former curator of the Parrish Art Museum in Southampton and Guild Hall Museum in East Hampton. She has also been a guest curator at the Queens Museum in Flushing, has taught at the School of Visual Arts, and currently holds an adjunct faculty position in Stony Brook University’s Department of Art. From 1978-2006, she wrote art reviews and feature articles for the Long Island section of The New York Times, and she was the visual arts commentator for WLIU 88.3 FM, Long Island University’s NPR-affiliated radio station, from 2004-2009. Her articles, essays and reviews have appeared in numerous scholarly and popular publications, and she’s the author of several books, including, most recently, two mystery novels set in the New York art world.
Ms. Harrison will assist in the review of submitted work.
Renata Janiszewska
Instagram Curator
Ongoing curation of the official community Instagram account, including selection of featured artists and artworks, as well as recommendations for additions to the artist index.
Karen LaFleur
Curator, Book Marks
The Cotuit Center for the Arts VIDEO WALL PROGRAM presents BOOK MARKS, an animated flip-book exhibit curated by Karen LaFleur, showcasing Techspressionist artists Renata Janiszewska • Michael Pierre Price • Roz Dimon • Cynthia Beth Rubin • and Karen LaFleur.
The artists create still and animated artworks inspired by their favorite works of literature, poetry, ancient texts, and the way of writing.
On view: Jan 21 – Feb 25, 2023.
Opening Reception: Saturday January 21st, 2023 • 3-5pm
Cotuit Center for the Arts, 4404 Falmouth Rd. Cotuit MA, USA
The Cotuit Center for the Arts Video Wall Program screens national, regional, and international Fine Art Animations and Moving Image Artworks.
Patrick Lichty
Co-curator, Techspressionism 2021
Patrick Lichty is an educator, media artist, writer, futurist, curator of over 30 years. He is currently a professor of media design at Zayed University in Abu Dhabi, where he is the Director of the Immersive Media Research Cluster. As an activist and artist, he was part of or worked with the collectives RTMark, Pocha Nostra, The Yes Men, Terminal Time, Second Front, Shared Universe, and Critical Art Ensemble.
Randi Matushevitz
Co-curator, Techspressionism 2026: Los Angeles & Beyond
Co-curator, Techspressionism // SIGGRAPH 2026
Curator, Techspressionism in LA
Randi Matushevitz is a multimedia visual artist based in Los Angeles. Her large-scale mixed media drawings, video and installation projects juncture at the intersection of meaning and association in analogue and digital art, exploring the subjective nature of human connection.
Matushevitz is a recipient of a California Arts Council Individual Artist Fellowship 2023-24, Curator’s Choice Award Video Installation 2024, Safe Spaces Exhibition, Art Connect Society, and Finalist Money For Women/Barbara Deming Memorial Fund 2024. Her artwork has been exhibited in galleries, museums and cultural spaces nationally and internationally including Immerse Fest, Projecting Possibilities Los Angeles, Jerusalem Biennale, and Las Vegas Art Museum. Public acquisitions include Museum of Art and History, Lancaster, CA, Cleveland Clinic Lou Ruvo Brain Center, the Marjorie Barrick Art Museum, Las Vegas, NV, and the Enter Art Foundation, Berlin, Germany.
Tommy Mintz
Curator, Hello Chelsea: Techspressionism 2025
Curator, Hello Brooklyn: Techspressionism 2024
I’m interested in our evolving tension with the digital world – particularly digital photography and its effect on our understanding of ourselves. How do our individual memory and collective understanding change through spending increasing amounts of time interacting with digital images? By exploring novel algorithmic photography in both the landscape and street traditions, I hope to raise questions of our understanding, perception, and memory of contemporary spaces.
Cynthia Beth Rubin
Organizer, Hello Uzbekistan // Techspressionism 2025
Cynthia Beth Rubin began the transition from painting to digital imaging in 1984. As a Techspressionist artist, she draws on the legacy of abstraction and sources as diverse as medieval manuscripts and microscopic life. Rubin’s work has been recognized internationally through exhibitions and film festivals, including Techspressionists exhibitions, Jerusalem Biennial, Jewish Museum in Prague, Siberia State Art Museum, Kyrgyzstan State Museum, and elsewhere around the world. Awarded multiple grants by the Connecticut Commission and various foundations, she has also been granted artist residencies in France, Scotland, and Canada. As a professor, she introduced students to the wonders of digital art at Connecticut College, the University of Vermont, and Rhode Island School of Design.
Anne Morgan Spalter
Curator, NFT Now
Anne Morgan Spalter is an American new media artist based in Brooklyn and Providence, Rhode Island. She founded and taught the original digital fine arts courses at Brown University and the Rhode Island School of Design in the 1990’s, and is the author of The Computer in the Visual Arts, published by Addison-Wesley. Ms. Spalter assisted in refining the language that describes Techspressionism on our website.
The Anne and Michael Spalter Digital Art Collection represents one of the world’s largest private collections of early computer art, comprising over 750 works from the second half of the twentieth century. The collection has loaned work to the Museum of Fine Arts in Boston, the Museum of Modern Art in New York, and the Victoria and Albert Museum in London among others.
Giovanna Sun
Curator, Techspressionism Brooklyn
Giovanna Sun is a New York-based, certified MWBE ( Minority Women-Owned Business Enterprise) art-tech entrepreneur, artist, curator, and blockchain advisor. The artist graduated from Staten Island College in Cinema Studies and continued with graduate study of advertising design at New York Institute of Technology. Art styles: Abstract Expressionism. Surrealism. Techspressionism. As she moves from the traditional fine art and design industry to the NFT industry, Giovanna utilizes AI generative apps and Glitch software, open data images, hand-drawn illustrations, and collage to create the new series, “Trance Utopia”, “Trance Omni Nation”, “Japanese Bath”. The artist sold more than 1000 NFTs in 2021.
This is a listing of other exhibitions curated by artists listed in the Techspressionist Visual Artist Index
2024
Collaborative Art Space (India): Not Yet Decided, India. Curated by Malavika Mandal Andrew
2023
BOOK MARKS Video Wall Exhibit at Cotuit Center for the Arts, 4404 Falmouth Rd, Cotuit, MA 02635 (view on Google Maps). Exhibition dates: Jan 21 – Feb 25, 2023. Curated by Karen LaFleur.
2022
Collaborative Art Space (India): Online/Offline. Curated by Malavika Mandal Andrew
2021
Critical Abstractions: University of Wyoming, curated by Brandon Gellis
Collaborative Art Space (India): Two Zero Two One and New Day, New Month, New Year. Curated by Malavika Mandal Andrew and Kirti Chandak