“Each age finds its own technique”.

– Jackson Pollock

techspressionism

/tek-spresh-uh-niz-uh m/

An artistic approach in which technology is utilized as a means to express emotional experience.

A 21st-century artistic and social movement.

ROOT WORDS (source: Oxford Dictionaries):

expressionism: A style of painting, music, or drama in which the artist or writer seeks to express emotional experience rather than impressions of the external world.
technology :The application of scientific knowledge for practical purposes, especially in industry.

“You’re a Techspressionist when you say you are”.

CURRENT EXHIBITIONS

UPCOMING EXHIBITION

CURRENT EXHIBITIONS

UPCOMING EXHIBITION

TECHSPRESSIONIST SALONS

WATCH NOW

RESERVE YOUR SPOT

ARTIST INTERVIEW

Sasha Stiles

Sasha is a Kalmyk-American poet and language artist whose award-winning work bridges tradition and innovation through hybrid poetics, generative imagination, and collaborative intelligence. Her transmedia practice reframes poetry as both art and technology — a means of encoding experience across time — and blends word, image and algorithm to explore human voice in a digital age. A co-founder of theVERSEverse and a graduate of Harvard and Oxford, she has served as Poetry Mentor to the AI humanoid BINA48 since 2018, and lives near New York City.

Watch the Interview >>

Techspresionism: Curators in Conversation
A lively discussion on Techspressionism with Christiane Paul, Curator of Digital Art, Whitney Museum of American Art and Helen A. Harrison, Director (1990-2024), Pollock-Krasner House and Study Center. Moderated by Colin Goldberg. Watch now.

Techspressionism: Digital and Beyond opening reception at Southampton Arts Center, April 23, 2022.

Commentary by Helen A. Harrison

In 1928, ruminating on the rapid pace and profound nature of change in the twentieth century, the French poet and philosopher Paul Valéry wrote: “We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art.” This prediction so impressed the cultural critic Walter Benjamin that he used it as the epigraph of his famous 1935 essay, “The Work of Art in the Age of its Technological Reproducibility” (as it was originally titled). These writers and others were pondering the same issues that face the artists who now, nearly a century later, self-identify as Techspressionists.

Thanks to digital technologies and the Internet, works of art have become, in Valéry’s formulation, ubiquitous; as he foresaw, “We shall only have to summon them and there they will be.” This level of accessibility requires us to adopt and accept new attitudes toward creative expression. As Benjamin observed, the debate regarding the artistic validity of new media, begun with photography and cinema in the late nineteenth century, centers on the so-called aura of the singular work of art. And the aura of uniqueness remains powerful. Yet a digitally-generated artwork is not a reproduction in the conventional sense—that is, a copy of something else—though it can be, and often is, reproduced in multiples that are indistinguishable one from another.

Hand-made versus mechanical. One-off versus duplication. Such binaries ultimately resolve in light of the works of art themselves. By whatever technique it’s created, Techspressionist imagery generates its own aura, deriving its authenticity from the artist’s intention. Expression is paramount; technology is merely the delivery system. Jackson Pollock faced a similar concern. Frustrated by the focus on his materials and methods rather than the content of his paintings, he insisted, “It doesn’t make much difference how the paint is put on as long as something is being said. Technique is just a means of arriving at a statement.”

Helen A. Harrison, June 2022
Pollock-Krasner House and Study Center.
Director, 1990-2024

VIRTUAL CO-WORKING

Need a focus in the studio?
Want to connect with Techspressionists in a more personal way?
Interested in a global artistic experience?
Longing for creative inspiration or collaboration?
Yearning to share your work with one or two other artists?

We will sign on, and each briefly (30 -60 seconds) say what we plan to work on. Then we work for 1 hour. After 1 hour we have the option to briefly share what we did. Total session 1.5 hours.
Please take the survey below to help us form our groups. We may make multiple groups, so as to accommodate as many time zones and work/personal schedules as possible.

Cynthia Rubin and Cynthia DiDonato

SALON

COMMUNITY

MANIFESTO

“Each age finds its own technique”.

– Jackson Pollock

techspressionism

“You’re a Techspressionist when you say you are”.

CURRENT EXHIBITIONS

UPCOMING EXHIBITION

CURRENT EXHIBITIONS

UPCOMING EXHIBITION

TECHSPRESSIONIST SALONS

ARTIST INTERVIEW

Sasha Stiles

Commentary by Helen A. Harrison

VIRTUAL CO-WORKING

TECHSPRESSIONIST ARTWORKS