Techspressionism: Curators in Conversation
With Christiane Paul and Helen A. Harrison
Techspressionism Roundtable #01 – Recorded October 3, 2022
Techspressionism: Curators in Conversation with Christiane Paul and Helen A. Harrison is the first of a series of Roundtable Discussions created by Techspressionist artists. This conversation is a discussion focusing of Techspressionism as it relates to art-historical movements of the past as well as to digital art at large.
Christiane Paul is Professor in the School of Media Studies at The New School, as well as Curator of Digital Art at the Whitney Museum of American Art. She is the recipient of the Thoma Foundation’s 2016 Arts Writing Award in Digital Art, and her books are A Companion to Digital Art (Blackwell-Wiley, May 2016); Digital Art (Thames and Hudson, 2003, 2008, 2015, 2023); Context Providers – Conditions of Meaning in Media Arts (Intellect, 2011; Chinese edition, 2012); and New Media in the White Cube and Beyond (UC Press, 2008). At the Whitney Museum she curated exhibitions including Programmed: Rules, Codes, and Choreographies in Art 1965 – 2018 (2018/19), Cory Arcangel: Pro Tools (2011) and Profiling (2007), and is responsible for artport, the museum’s portal to Internet art.
Helen A. Harrison
Sag Harbor NY USA
Helen A. Harrison, a former New York Times art critic and NPR arts commentator, is the director of the Pollock-Krasner House and Study Center in East Hampton, New York. A specialist in modern American art, she has been the curator of the Parrrish Art Museum and Guild Hall Museum and a guest curator at the Queens Museum. Her books include Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach, monographs on Jackson Pollock and Larry Rivers, and three mystery novels set in the New York art world.
Bronx-born artist Colin Goldberg’s work explores the relationship between technology and personal expression. His studio practice bridges multiple disciplines, notably painting and digital media. Goldberg first used the term Techspressionism as the title for a solo exhibition in Southampton NY in 2011, and curated the first large-scale group exhibition of Techspressionist works, Techspressionism: Digital and Beyond at Southampton Arts Center (Southampton NY, 2022).